SAEDNEWS: Are you familiar with the art of cream embroidery? Do you know which Iranian city this traditional craft belongs to? Join Saed News to explore and learn more about this beautiful art.
Among these arts, embroidery and silk thread embroidery are recognized worldwide. They allow ordinary garments and home accessories to be enhanced, transforming them into beautiful, artistic pieces. Silk thread embroidery is common across global cultures and is considered one of the most popular and cherished handicrafts. It’s a unique and captivating art form that highlights intricate details, turning everyday simplicity into eye-catching beauty—and through it, you can proudly showcase your creativity.
The oldest term for this art is “Khamak Doozi”. The name originates from ancient times when raw silk—without any dyeing, processing, or whitening—was used directly. Essentially, silk thread embroidery is a type of needlework using silk threads.
Many experts believe that this art dates back to the time silk was first produced in Sistan, linking it to the Parthian and Sistanian periods (and possibly Sassanian). Islamic texts describe Sistan as a center for producing the finest silk and wool fabrics. Historical records indicate that Sistan, with its abundant mulberry gardens, was one of the largest silk-producing regions. About a century ago, the village of Chalang, Zabol had workshops for silk cocoons and production.
Silk thread embroidery developed from distinctive local motifs, stitched in geometric relief patterns on cotton fabric. It was often used to decorate collars and sleeves of garments for high-ranking men. Historical documents mention silk thread embroidery, confirming its ancient roots.
In traditional displays: a wide Termeh shawl was placed on a shelf, with a mirror on top. Around the mirror, slightly lower, two poorly crafted silk thread embroidery frames decorated with silk cocoons and artificial pearls were hung on black velvet. The borders of garments were embroidered with white silk threads in lotus motifs. Special hats, such as the “Aragh Chin” and “Shab Kolah,” were also decorated with silk thread embroidery. Young girls in the family would often gift embroidered handkerchiefs. Another hat, “Zire Longoute,” made of white cotton, was mostly embroidered locally. A different type, “Sami hat,” is sewn in Afghanistan and Pakistan and also sold in Sistan markets.
Even in royal palaces, embroidery adorned banners, ceremonial robes, and military insignia. The Shah of Iran would sometimes embellish simple ties or vests with silk thread embroidery, creating scattered patterns, reflecting both artistry and a refined aesthetic—sometimes even participating personally like a skilled homemaker.
The fabric used must be high-quality and durable. Cotton is preferred because it allows smooth needle and thread movement, ensuring speed and precision. Cotton’s strength prevents the thread from pulling or distorting. In luxurious silk thread embroidery, silk fabrics may also be used. Other suitable materials include cotton, silk, wool, or blended fabrics—soft, sturdy, and ideal for enhancing the quality of the finished work.
These fabrics also have visible weave patterns, making thread movement easier and embroidery more precise.
Common motifs in silk thread embroidery include:
Basket weave (Hassir-doozi)
Lace patterns (Tordoozi)
Silk thread stitches (Khamak-keshi)
Paisley (Boteh Jegheh)
Narcissus and floral designs
Star patterns
Geometric shapes, knots, curved lines
Melon seed or fish-tail motifs, etc.
Basket weave and paisley patterns are usually centered, while other designs frame the edges. Floral motifs may appear as bushes with many leaves or a single central flower. Patterns are often transferred onto fabric using wooden stencils dipped in ink, or occasionally with pencil or carbon paper.
This embroidery is not limited to Zabol; it’s also practiced in Yazd and Taft in home settings.
Materials needed: satin, cotton, or choloar fabric, needle, mirror, and single-color silk thread (usually white). This delicate embroidery is used for fine lines and edges. For garments, white silk thread is often combined with black stitching, creating buttonhole triangles and black-edged collars and cuffs.
This traditional art is not limited to classic designs. It can also be adapted to modern garments, merging cultural heritage with contemporary fashion. Silk thread embroidery remains a versatile and timeless way to express artistic skill, craftsmanship, and creativity.
