Golabatoon-Doozi: A Unique Tribal Hand Embroidery of Southern Iran

Friday, October 03, 2025

SAEDNEWS: Golabatoon, with a more than two-thousand-year-old history, is a kind of traditional embroidery of Hormozgan.

Golabatoon-Doozi: A Unique Tribal Hand Embroidery of Southern Iran

The World Crafts Council has officially recognized Hormozgan as a hub for Golabatoon, thanks to its unique and unmatched products. Like many traditional embroidery crafts, Golabatoon is handcrafted by young girls and women of southern Iran, making it a living testament to the region’s culture.

Considered one of Hormozgan’s most prominent arts, Golabatoon reflects the lifestyle, beliefs, and traditions of southern Iran. In nearly every household, someone is involved in this craft, and most young girls dedicate a few hours daily to create these intricate works. Beyond fostering social and economic growth, this craft allows women to spend their leisure time producing a beautiful and culturally meaningful art.

The name Golabatoon derives from the golden threads—also called Golabatoon—that form the basis of the embroidery. In Hormozgan, it is also known by other names such as Goldouzi, Kamdouzi, Kamandouzi, Boroodaridouzi, and Zardouzi. The words “Kam” or “Kaman” (meaning bow) refer to the wooden circular frame or embroidery hoop around which the fabric is tightly stretched.

The main tools of Golabatoon include the hoop and a needle called Ghollab (hook). The metallic threads, usually gold or silver, are the heart of the craft. Golabatoon is applied to plain-colored crepe fabrics such as yellow, green, black, turquoise, crimson red, and orange. Occasionally, artisans enhance their work with sequins or small glass beads for added brilliance.

Some of the most famous Golabatoon patterns include Eslimi and Khatayi (cursive arabesque), Bazoobandi, Boteh Roohi, Moharamati (Sotooni), and Boteh Jegheh (paisley). These intricate designs require great skill and patience. Once completed, the embroidered fabric is removed from the hoop and sewn onto local garments—trouser edges, collars, cuffs, or bust areas.

Today, Golabatoon has expanded beyond clothing and can be seen on cushion covers, backrests, wall hangings, and even the holy Quran. Cities such as Bandar-e Lengeh, Bandar Abbas, Minab, and their surrounding villages are the major centers preserving and promoting this artistic heritage in Hormozgan.

Golabatoon is not just a craft—it is a golden thread connecting generations, offering visitors a glimpse into the rich artistry, cultural pride, and daily life of southern Iran.